10/27/2021 0 Comments Tangerine Dream Albums
In the 80s, TANGERINE DREAM knew a long and fruitful career in writing music for screen. In 1979, almost in duet, Edgar Froese and Chris Franke record 'Force Majeure'. Disconcerted, the album is badly seen by the public and the critic despite that it introduced many interesting elements to TD's music.SoundCloud Tangerine Dream. The EP is a preview to a March ’22 album release, which will be the group’s second studio album after the death of founder Edgar Froese.Play Tangerine Dream and discover followers on SoundCloud Stream tracks, albums, playlists on desktop and mobile. Probe 6-8 is scheduled for release 26th November 2021 on Kscope/Eastgate Music. Even after shifting towards short songs and tunefulness, their first two albums for Virgin Reproduction and Travelogue had a geeky science-fiction-fan air that promised cult. In my top ambient albums list Rock Album Covers, Top Albums, Progressive Rock.Tangerine Dream shared this music video for Raum, taken from the upcoming EP, Probe 6-8.A shoestring Tangerine Dream, recording a 97-minute track titled Last Man On Earth and experimenting with computerized systems for random lyric generation.This section features a complete list of these official releases. Since 1970 Tangerine Dream have released a large number of records, including studio, live and soundtrack records. Tangerine Dream - Official Releases.
Tangerine Dream Albums Full Access ToThe choice of shooting on film was an homage to Edgar Froese’s vintage Super-8 videos.Music composed, produced and performed by Thorsten Quaeschning, Hoshiko Yamane, Paul Frick, Edgar Froese.TdFanatic – respect the opinion because I grew up with and loved the Franke Froese Baumann lineup.But however much we may love albums like Phaedra & Rubycon, but it’s a stretch to say that there’s some unique compositional brilliance going on.Those albums are great because creating rambling improvised music with electronic instruments was a new thing in the 70s and TD did it well.The times were different in the 70s, too. The trio say that they composed and produced the EP with full access to Edgar Froese’s Cubase arrangements and Otari Tape Archive, with recordings from 1977 – 2013.The music video to ‘Raum’ was shot on a Canon Super-8 camera, during the band’s recording sessions, at their Berlin studio space and the surrounding neighborhood, in 2020 and early 2021. Here Jerome remixes songs from Tangerine.‘Raum’ translates roughly into ‘space’ or ‘realm’.The album features the lineup of Thorsten Quaeschning, Hoshiko Yamane and Paul Frick, who created the album based on a combination of “classic studio productions and late night real time compositions”. Info: Info: This is the fifth part of the successful Dream Mixes series, which was originally launched in 1995. The records are listed in order of their initial release.![]() It is sometimes nice to be reminded of what-was, by recognizing patterns, idioms, and timbres. Because people on this forums are mostly musicians, we like to break down and analyze. What is: Well the what-was heroes of yesteryear’s TD have passed on, either to other projects, or other worlds. If you mess with it, fans will almost always be critical because it messes with an ideal. Bursa share priceSo if you like the present sound, then embrace it. But the sound is still ‘what-is’. My thoughts about Raum are that this aims at that sense of nostalgia, through the use of old film equipment. It can be pleasing, but distanced from some of Edgar’s compositional styles of earlier years. I find that what-is, with newer-to-newest TD members have a tendency to create a ‘continuous, but evolving wall or wash of sound’. There was space to let individual timbres evolve, from initial attack, all until the final release of the envelope. ![]() Critical cross comparisons of the eras can be a useful and interesting intellectual pursuit, but hopefully we don’t let it get in the way of appreciating the efforts of these artists. All this to say, there is place to appreciate and enjoy the past, the present, and leave some space for the future. The result sounded even more early-school TD than I thought to create with my synths. In an attempt for Berni to meet me half way, he took out his electric drill and ran a specially shaped bit on his guitar strings. I don’t dislike the result, and in the end, it made sense to just step back and appreciate what-could-be. I had to step back from ‘what-was’ to let ‘what-is’ happen.
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